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Paperback. $21.25 13 Used from $7.50 1 New from $21.25 1 Collectible from $6.00. A protest against the brutality of World War I and a rejection of traditional culture and aesthetics, the Dada movement proclaimed itself as anti-art. In the visual arts, literature, and graphic design, the Dadas shocked and scandalized audiences of the early 1900s.


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The Dada movement officially began in Zurich, a city in politically neutral Switzerland where many artists and intellectuals fled during World War I. From there, the movement radiated outward to the other groups in Berlin, Hannover, Cologne, New York, and Paris—each of which had members in communication with the other groups.


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Dada was an artistic and literary movement that began in Zürich, Switzerland. It arose as a reaction to World War I and the nationalism that many thought had led to the war. Influenced by other avant-garde movements - Cubism, Futurism, Constructivism, and Expressionism - its output was wildly diverse, ranging from performance art to poetry.


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Dadaism Definition, History, and Famous Dada Artists. From Germany to the United States, artists of the Dada movement created conceptual art that emphasized the absurd and rejected the conventional. Learn more about the artists and artworks that defined this influential Modern art movement.


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Dada was a reactionary movement. It emerged when a group of Zurich-based artists and poets—including Ball, Tzara, Jean Arp, and Marcel Janco —declared an all-out artistic assault on a modern society degraded by nationalist politics, repressive social values, conformity, and an overemphasis on reason and logic. They held this society.


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A fairly recent style was Dadaism. Dada was a 20th-century avant-garde art movement (often referred to as an "anti-art" movement) born out of the tumultuous societal landscape and turmoil of WWI. It began as a vehement reaction and revolt against the horrors of war and the hypocrisy and follies of bourgeois society that had led to it.


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Marcel Duchamp, Fountain, 1917. Originally a colloquial French term for a hobby horse, Dada, as a word, is nonsense. As a movement, however, Dadaism proved to be one of the revolutionary art movements in the early twentieth century, born as a response to the modern age. Watch our video overview of the movement and read on to learn more about.


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Dada emerged amid the brutality of World War I (1914-18)—a conflict that claimed the lives of eight million military personnel and an estimated equal number of civilians. This unprecedented loss of human life was a result of trench warfare and technological advances in weaponry, communications, and transportation systems. Caption: The Museum of Modern Art Renovation and Expansion Designed.


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Dada activities were also carried on in other German cities. In Cologne in 1919 and 1920, the chief participants were Max Ernst and Johannes Baargeld. Also affiliated with Dada was Kurt Schwitters of Hannover, who gave the nonsense name Merz to his collages, constructions, and literary productions. Although Schwitters used Dadaistic material—bits of rubbish—to create his works, he achieved.


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Although it was a fleeting phenomenon, lasting only from about 1914-1918 (and coinciding with WWI), Dada succeeded in irrevocably changing the way we view art, opening it up to a variety of experimental media, themes, and practices that still inform art today. Duchamp's idea of the readymade has been one of the most important legacies of Dada.


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Dadaism is an art movement which arose in 1916 in Zurich, Switzerland, and lasted until the mid 1920s. The movement was firmly planted within the avant-garde, and staunchly rejected any norms of the artistic world at the time. Pure Dada rebuffs reason, logic, and rationality in favor of chance. The movement is explicitly political, representing.

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