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Indian History Amir Khusrau Persian Literature Medieval History. Ab'ul Hasan Yamīn ud-Dīn Kh usrau (1253-1325) is one of the most celebrated poets of medieval India, writing both in Persian, the courtly language of Muslims of the Sultanate period, and Hindavī, the vernacular language of the Delhi area. Also known as Tūtī e-Hind (=Parrot of.
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Abu'l Hasan Yaminuddin Khusro, commonly known as Amir Khusro (also Khusrau, Khusrow) Dehlavi. He was the Indian subcontinent's poet laureate. He is renowned for being one of the most prolific and diverse poets of the 13th and 14th centuries.
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Famous poet / Amir Khusro 1253-1325 • Ranked #20 in the top 500 poets Khusro was born in 1253 A.D. in Patiyala, India, His paternal ancestors belonged to the nomadic tribe of Hazaras from Transoxiana, who crossed the river Indus and migrated to India in the thirteenth century.
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Mango is one of the most beloved fruits in the world. For centuries, mangoes have been a symbol of love, desire, ecstasy, and pain in the poetry of the renowned writer and poet, Mirza Asad Mullah Baig Khan.. Sufi poet Amir Khusro (1253-1325) also celebrated mangoes in his poetry, lovingly calling them "fakhr-e-gulshan" (pride of the garden).
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Even Sufi poet Amir Khusro had praised the mango in his Persian poetry and called it Fakhr-e-Gulshan. According to Ghalib it is a remarkable fruit in the sense that it can be cut with a knife, sucked like ice cream or crushed for its juice. It gives more joy in comparison with other fruits if it is cut and eaten.
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The Riddles of Amir Khusrow were developed during the royal courts of more than seven rulers of the Delhi Sultanate. During this time, Khusrow wrote not only many playful riddles, but songs and legends which have been a part of popular culture in South Asia ever since.
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National Mango Day 2023: What poets from Amir Khusro to Ghalib and Munawwar Rana wrote in praise of mangoes July 22 is observed as National Mango Day. For eons, poets and emperors have.
Mango Lassi
Amir Khusrau—poet, courtier, mystic, musician—straddled the worlds of politics and religion and helped forge a distinctive synthesis of Muslim and Hindu cultures. His poetry in Persian appealed equally to the Delhi sultans and to his Sufi sheikh, Nizamuddin Auliya.
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Amir Khusrau's timelessness can be gauged from the fact that a post-modern rendition of his most popular composition, Chaap Tilak, by Rahat Fateh Ali Khan and Abida Parveen has more than 27 million online views. So, what makes Amir Khusrau so popular, almost 700 years after his death?
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Amir Khusrau Abu'l Hasan Yamīn ud-Dīn Khusrau (1253 - 1325 AD), better known as Amīr Khusrau, was an Indo-Persian [1] Sufi singer, musician, poet and scholar who lived during the period of the Delhi Sultanate. He is an iconic figure in the cultural history of South Asia. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India.
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Amir Khusro was the son of Turk Saifuddin of the Lachan caste of Central Asia. He was born in 1253 AD in the town of Patiali in Etah, Uttar Pradesh, India. Turks of the Lachan caste settled in India as "refugees" during the reign of Balban suffering from the invasions of Genghis Khan. Khusro's mother Bibi Daulatnaz was the daughter of war.
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Amir Khusro, the Indo-Persian poet, called the mango, which is native to India and its tropical and subtropical climate, the "fairest fruit of Hindustan."
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Enchanted by the story, Amir Khusro dressed up in a yellow sari, bedecked himself with mustard flowers, and appeared before Nizamuddin Auliya singing lusty songs in praise of spring. The saint saw.
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Abu'l Hasan Yaminuddin Khusro, better known as Amir Khusro (also Khusrau, Khusrow) Dehlavi, was the poet laureate of the Indian subcontinent and enjoys ever-lasting fame as one of the most versatile poets and prolific prose-writers of the 13th and 14th centuries.
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Writing history was not his prime concern. Religion, love of art and literature, search for beauty and the fulfilment of his economic needs by legitimate means were his major concerns. On the same lines, Mohibbul Hasan observes: One should keep a balance in one's praise and blame should not be unnecessarily severe and deprecatory in one's attitude.