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Apollo and Daphne by Bernini at the in Rome Bernini, Greek

Gian Lorenzo Bernini, Apollo and Daphne. by Dr. Beth Harris and Dr. Steven Zucker. Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Carrera marble, 243 cm high (Galleria Borghese, Rome) A conversation with Dr. Beth Harris and Dr. Steven Zucker. More Smarthistory images….


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Gian Lorenzo Bernini, Autoritratto, 27.5×21.5 cm, Ashmolean Museum, Oxford. Apollo e Dafne fu commissionata dal cardinale Scipione Caffarelli-Borghese allo scultore Gian Lorenzo Bernini, all'epoca poco più che ventenne. L'esecuzione fu iniziata nell'agosto del 1622, ma fu interrotta nell'estate del 1623. A giugno morì infatti il cardinale.


Apollo and Daphne at the Galleria Statue Rome, Apollo and

Abstract. Taking as a case study the marble group of Apollo and Daphne, sculpted by Giovan Lorenzo Bernini for Cardinal Scipione Borghese in the 1620s, this paper discusses the exchange between sculpture and poetry in determining how the beholder engages the sculpted object.More in particular, the question is addressed how the image's infringement on the beholder's world and body can both be.


Apollo e Dafne Bernini Galleria 6 Bruno Brunelli Flickr

Apollo and Daphne (1625) by Bernini. Although retold in Ovid's book, the story of these two characters originally came from Greek and Roman mythology. Thanks to the advances in printing technology during the Renaissance period, ancient texts and myths started to emerge and be published, and the rise in the popularity of these stories resulted in the commissioning of works that portrayed them.


Mikipedia Arte Radio Arte Apollo e Dafne

Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625.It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works. The sculpture depicts the climax of the story of Apollo and.


Wallpaper arte Apollo e Dafne Bernini Tapeterie

Taking as a case study the marble group of Apollo and Daphne, sculpted by Giovan Lorenzo Bernini for Cardinal Scipione Borghese in the 1620s, this paper discusses the exchange between sculpture and poetry in determining how the beholder engages the


Apollon et Daphné (16221625) par Gian Lorenzo BERNINI dit Le Bernin

Gian Lorenzo Bernini / Wiki Commons 2. It depicts a story from Greek Mythology written by a Roman poet. The subjects of the sculpture are Apollo and Daphne, both figures from Greek Mythology.The scene depicts the conclusion of the story written by Roman poet Ovid in his work called "Metamorphoses.". It's written in the form of a poem and describes the history of the world all the way to.


Apollo and Daphne is a sculpture made by Italian Gian Lorenzo Bernini

Out of spite, Cupid then pricked him with one of his amour-inducing arrows, causing the god to fall madly in love with the passing-by river nymph Daphne. However, Daphne was devoted to the goddess Diana, and had resolved never to marry and to remain a virgin for her entire life. When Apollo pursued her, driven by his lust, she ran away in panic.


Apolo y Dafne Bernini Apolo y Dafne de Bernini, Galleria… Flickr

Apollo and Daphne is a very graphic sculpture that was created in 1622-1625 by an Italian artist by the name of Gian Lorenzo Bernini. The sculpture shows the immense masterful craftsmanship of Bernini as he painstakingly recreates the apex of the story behind Phoebus and Daphne. A love that is destined never to be, can be no more than an epic.


Apollo and Daphne by Giovanni Lorenzo Bernini in Reproduction Etsy

Apollo e Dafne, descrizione, storia e tutto quello che c'è da sapere sulla scultura più celebre di Bernini, considerata il capolavoro dell'artista


Gian Lorenzo Bernini Apollo e Dafne (162225) Galleria Roma

Bernini Gian Lorenzo. The subjet of the sculptural group is Ovid's tale from his Metamorphoses (I, 450-567), where he tells of Apollo, on whom Eros takes revenge by shooting him with an arrow made of gold, the noblest metal, making him fall for the nymph Daphne, a disciple of Diana. The nymph, instead, is pierced by a dart made of lowly lead.


Apollo e Dafne, di Gian Lorenzo Bernini Arte Rai Cultura

The life-sized Baroque marble sculpture by Bernini depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne) in Ovid's Metamorphoses. It shows Apollo finally catching up to Daphne, just as she is being transformed into a laurel tree. Apollo clutches Daphne's hip, pursuing her as she flees to escape him. Apollo wears a laurel.


Le Bernin Apollon et Daphné Bernini Galerie Rome

Apollo and Daphne. Apollo and Daphne - a marble sculpture in the Baroque style in natural size, made by the Italian artist Gian Lorenzo Bernini and executed in 1622-1625. Placed in the Borghese Gallery in Rome, this work depicts the culmination of the history of Apollo and Daphne (Phoebe and Daphne) in Ovid's Metamorphosis.


bugiardo Gangster tornado scultura bernini apollo e dafne Viaggio

This statue, Apollo and Daphne [figure 1], was one in a collection of statues commissioned by Cardinal Scipione Borghese.Cardinal Borghese was a wealthy man from a wealthy Italian family, and also just happened to be the Pope's nephew. This Pope, Paul V, was not above employing his family members within the church to be on his side in political issues and to oversee the handling of the papal.


Gallery Gathers a Full House of Bernini Masterpieces The New

Other articles where Apollo and Daphne is discussed: Gian Lorenzo Bernini: Early years:.to the hallucinatory vision of Apollo and Daphne (1622-24), which was intended to be viewed from one spot as if it were a relief. In his David (1623-24), Bernini depicts the figure casting a stone at an unseen adversary. Several portrait busts that Bernini executed during this period, including that…


Gian Lorenzo BERNINI Apollo e Dafne (particolare), 1622 1625

This essay extends recent debate on the performative aspects of art objects and the performance of spectators in viewing them. Seventeenth-century commentators attributed lifelike qualities of speech and movement to Bernini's sculptures.

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