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Agnolo Bronzino: List of works - All Artworks by Date 1→10. List of works Featured works (6) All Artworks by Date 1→10 (85) All Artworks by Date 10→1 (85) All Artworks by Name (85) High resolution (5) Styles Baroque (1) Mannerism (Late Renaissance) (83) Genres.

Agnolo Bronzino (Аньоло Бронзино, 15021572, Italian painter

By 1540, Pontormo's student Agnolo Bronzino (1503-1572) had become the leading artist working in this style in Florence and court painter to Cosimo I de' Medici, grand duke of Tuscany. Ducal patronage played an important part in Bronzino's career, as well in those of his contemporaries working in the Medici court, Francesco Salviati.

Agnolo Bronzino Mannerist painter Tutt'Art Pittura • Scultura

Agnolo Bronzino's Pygmalion and the Statue represents a remarkably dense, compressed visualization of Ovid's dramatic tale of the sculpture of a perfect woman brought to life through the power of Venus ().Nearly everything of narrative import in Bronzino's painting is contained by the horizon line demarcated by the distant hills, or by the shooting flames and billowing smoke that envelop the.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

Hide caption. Departing from his usual procedure, Bronzino drew on both sides of this double-sided sheet holding them in an upright direction. The studies are for Marsyas and Midas, two of the main figures seated at the right in Bronzino's The Contest of Apollo and Marsyas, a subject inspired by Ovid's Metamorphoses (6:382-400, 11:146-93). Bronzino made the painting, originally a.

Agnolo Bronzino Wikimedia Commons Perspective art, Uffizi gallery

Agnolo di Cosimo (called Bronzino) was the leading painter of mid-16th-century Florence. According to Vasari he is the boy on the steps in his teacher Pontormo's 'Joseph with Jacob in Egypt', also in the National Gallery.Influenced, like many other artists of his generation, by Michelangelo, Bronzino is classed as a Mannerist.The refined and stylish artificiality associated with this label can.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

Agnolo di Cosimo (Italian: [ˈaɲɲolo di ˈkɔːzimo]; 17 November 1503 - 23 November 1572), usually known as Bronzino (Italian: Il Bronzino [il bronˈdziːno]) or Agnolo Bronzino, was an Italian Mannerist painter from Florence.His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.. He lived all his life in Florence, and from his late 30s was kept busy as the court.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

Images and other media are excluded. Virgin and Child with Saint Elizabeth and Saint John the Baptist; about 1540-1545; Agnolo Bronzino (Italian, 1503 - 1572); Oil on panel; Unframed (Panel): 102.7 × 83.4 cm (40 7/16 × 32 13/16 in.); 2019.116 The J. Paul Getty Museum in Los Angeles.

Agnolo Bronzino Art in Detail Portrait painting, Historical art, Art

Il Bronzino (born November 17, 1503, Florence [Italy]—died November 23, 1572, Florence) Florentine painter whose polished and elegant portraits are outstanding examples of the Mannerist style. Classic embodiments of the courtly ideal under the Medici dukes of the mid-16th century, they influenced European court portraiture for the next century.

Agnolo Bronzino Mannerist painter Tutt'Art Pittura • Scultura

Agnolo Bronzino (1503-1572) (b Monticelli, nr. Florence, 17 Nov. 1503; d Florence, 23 Nov. 1572). Florentine Mannerist painter, the pupil of Pontormo, who virtually adopted him as a son and introduced his portrait as a child into his painting Joseph in Egypt (c.1518, NG, London). The origin of Bronzino's nickname (literally 'bronze-coloured.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

Bronzino, Agnolo (Agnolo di Cosimo) (1503-72). Florentine Mannerist painter, the pupil and adopted son of Pontormo, who introduced his portrait as a child into his painting Joseph in Egypt (National Gallery, London). The origin of his nickname is uncertain, but possibly derived from his having a dark complexion. Bronzino was deeply attached to.

Agnolo Bronzino Art in Detail Tutt'Art Pittura * Scultura

Then And Now. Mannerist pose: a Bronzino nude, circa 1545-60. Art Courtesy Gabinetto Disegni E Stampe Degli Uffizi, Florence. There's a new old art star in New York this winter: Agnolo Bronzino.

Agnolo Bronzino Mannerist painter Tutt'Art Pittura • Scultura

Florence. 1503-1572. Virgin and Child, About 1270. Daniel Saving Susanna, the Judgment of Daniel, and the Execution of the Elders, c. 1500. Master of Apollo and Daphne. Susanna and the Elders in the Garden, and the Trial of Susanna before the Elders, c. 1500. Master of Apollo and Daphne. The Adoration of the Christ Child, c. 1490.

Agnolo Bronzino Mannerist painter Tutt'Art Pittura * Scultura

The Italian painter Bronzino (1503-1572) was one of the leaders of the second generation of Florentine mannerists. He is noted chiefly for his stylized portraits, cold in color but impeccable in realism of detail. Born at Monticelli near Florence on Nov. 17, 1503, Angelo di Cosimo, called Bronzino was trained principally under Raffaellino del.

Agnolo Bronzino Art in Detail Tutt'Art Pittura * Scultura

Nov 17, 1503 - Nov 23, 1572. Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

The Life of Agnolo Bronzino. From The Lives of the Artists, by Giorgio Vasari, 1550. HAVING WRITTEN hitherto of the lives and works of the most excellent painters, sculptors, and architects, from Cimabue down to the present day, who have passed to a better life, and having spoken with the opportunities that came to me of many still living, it.

CloseUp of Agnolo Bronzino's paintings Tutt'Art Pittura

Le portrait florentin de Botticelli à Bronzino. Paris, 1924, pp. 233-34, attributes it to Bronzino, dates it slightly later than the portrait of Ugolino Martelli, which he dates about 1535 or 1536, and calls it a young nobleman. Arthur McComb. Agnolo Bronzino, His Life and Works. Cambridge, Mass., 1928, pp. 8, 73, pl. 9, calls it a portrait.