Culture Weekend "Blaue Reiter" (W. Kandinsky & F. Marc)
Der Blaue Reiter, (German: "The Blue Rider") organization of artists based in Germany that contributed greatly to the development of abstract art.Neither a movement nor a school with a definite program, Der Blaue Reiter was a loosely knit organization of artists that organized group shows between 1911 and 1914.
Der Blaue Reiter (The Blue Rider) Tutt'Art Pittura * Scultura * Poesia * Musica
The idea ultimately spawned this single volume, as well as two exhibitions and a loose association of artists. The title Der Blaue Reiter (The Blue Rider) arose accidentally over coffee: as Kandinsky would recall in 1930, "We both loved blue, Marc—horses; I—riders. So the name invented itself." The varied content of Der Blaue Reiter.
German Art Movements of the Early 20th Century The Art History Archive
by DR. CHARLES CRAMER and DR. KIM GRANT. Figure 3.2.3.1 3.2.3. 1: Vasily Kandinsky, Der Blaue Reiter Almanac cover page with St. George, 1912. The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document.
Basel Kandinsky, Marc & Der Blaue Reiter at the Beyeler Inexhibit
The Blue Rider (German: Der Blaue Reiter) is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s.
Deutsch für alle DER BLAUE REITER
Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc. They shared an interest in abstracted forms and prismatic colors, which, they felt, had spiritual values that could counteract the corruption and materialism of their age. The flattened perspective and reductive forms of.
Der Blaue Reiter à la fondation Beyeler Or Norme
Der Blaue Reiter. Der Blaue Reiter ( The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to.
Der Blaue Reiter Blaues Pferd 1 YouTube
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Der Blaue Reiter von PIPER
Der Blaue Reiter (The Blue Rider) was a group of Expressionist artists led by Franz Marc and Wassily Kandinsky. One of the group's primary goals was to use art to express spirituality. Other artists associated with the movement included August Macke, Gabriele Munter, Paul Klee, Alexei Jawlensky and Heinrich Campendonk The movement was disrupted.
Der Blaue Reiter History, Characteristics, Artists Sotheby’s
Der Blaue Reiter, (German: "The Blue Rider") Organization of Expressionist artists formed in Munich in 1911 by Vasily Kandinsky and Franz Marc. The name derived from a volume of essays and illustrations they published. Other members included Paul Klee and August Macke (1887-1914). Influenced by Jugendstil, Cubism, and Futurism but lacking.
Kandinsky, Marc und der Blaue Reiter
More broadly, Der Blaue Reiter was in the vanguard of the movement towards expressionism and abstraction, leading the way for Gorky, Pollock, Basquiat and their proliferation of artistic heirs today. Wassily Kandinsky, ZUM THEMA JÜNGSTES GERICHT (ON THE THEME OF THE LAST JUDGEMENT), 1913. Lot Sold $22,879,000, November 2018.
The Blue Rider A dance in colours « The ALBERTINA Museum Vienna
Der Blaue Reiter translates in English as The Blue Rider. A number of avant-garde artists living in Munich had founded the Neue Kunstler Vereiningung, or New Artist Association (N.K.V.). The most important of these were the Russian born Wassily Kandinsky and the German, Franz Marc. In 1911 Kandinsky and Marc broke with the rest of the N.K.V. and in December that year held in Munich the first.
Kandinsky, Marc und der Blaue Reiter
Der Blaue Reiter painting was structured around an idea that color and form carried concrete spiritual values. Thus, the move into abstraction resulted partly from radically separating form and color into discrete elements within a painting or applying non-naturalistic color to recognizable objects. The name "Der Blaue Reiter" referred to.
Der Blaue Reiter Illustre groupe d'artistes de Munich
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Der Blaue Reiter lex.dk Den Store Danske
Der Blaue Reiter. Der Blaue Reiter was a German expressionist collective founded in Munich in 1909. 'Der Blaue Reiter,' which translates to 'The Blue Rider' in English, originated from a collective of avant-garde artists residing in Munich who had established the Neue Kunstler Vereiningung, or New Artist Association (N.K.V.).
Der Blaue Reiter (The Blue Rider) Museum of Fine Arts, Boston
Der Blaue Reiter is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited.
Doris Kutschbach Der Blaue Reiter. Prestel junior Verlag (Paperback )
Der Blaue Reiter. (The Blue Rider) Formed in 1911 in Munich as an association of painters and an exhibiting society led by Vasily Kandinsky and Franz Marc. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism.