Katrien De Blauwer at Tique Art Space Kolaj Magazine


Magic and Mystery in the Art of Katrien De Blauwer Design Observer

Katrien De Blauwer Belgian, b. 1969. Follow. 481. 481 Followers. Describing herself as a "photographer without a camera," Katrien De Blauwer creates collages with appropriated photographic images cut from a vast collection of vintage magazines. De Blauwer studied fashion design at the Royal Academy of Fine Arts.


Katrien de Blauwer Buscar con Google Collages, Collage Art, Art Inspo

Viewing Katrien De Blauwer's work feels more like reading, than seeing. Describing herself as "a photographer without a camera," her works are fascinating collages of recycled pictures and magazine photos she repurposes into her own distinctive canvas. Her assembly of fragments of gazes, nature, body parts, and found images creates a kind.


Katrien De Blauwer Coeval Magazine

Katrien de Blauwer's images are unsettling. Slabs of paper and slashes of paint fragment their subjects' bodies, both nude and clothed. A square of black bisects a woman's contorted body, her head deeply burrowed in her hands. The hands of a decapitated torso covers a bare chest; deep black and violent red strokes border a clothed man.


A Conversation with Katrien de Blauwer Conscientious Photography Magazine

Katrien de Blauwer's work is constantly expanding the boundaries of existing material from the past by creating surprising and new, open-ended narratives. Intentionally cutting, re-composing, altering the photographs and re-situating the work within her own world, she mediates the intimate and universal role of this book.


Katrien De Blauwer Art, Artist inspiration, Fine art

Katrien De Blauwer is represented by. Galerie Les Filles Du Calvaire. 17, rue des Filles Du Calvaire 75003 Paris France +33 (0)1 42 74 47 05 www.fillesducalvaire.com. Gallery Fifty One. Zirkstraat 20 2000 Antwerp Belgium +32 (0)3 289 84 58 www.gallery51.com. Contact me. [email protected]


Katrien De Blauwer Coeval Magazine

Katrien de Blauwer: I have been making collages for as long as I can remember. At 18 I rolled into fashion school for a couple of years, and the funny thing is I only got up to making mood books that consisted of little fragments of magazines. All my effort went into them. I'm a sensitive person and emotions are my main motivation.


Untitled Katrien De Blauwer

Katrien De Blauwer was born in 1969 in the small provincial town of Ronse in Belgium. After a troubled childhood, she moved to Ghent at a young age to study painting. Later De Blauwer attended the Royal Academy of Antwerp to study fashion. Although she would never finish her fashion studies, it was at that time that De Blauwer made her first.


Untitled Katrien De Blauwer

Katrien de Blauwer was born in the small provincial town of Ronse, Belgium. After a troubled childhood, she moved to Ghent at a young age to study painting. Later, she attended the Royal Academy in Antwerp to study fashion, a study she abandoned. It was at that time that she made her first collage books, actually studies and moodbooks for.


Katrien De Blauwer Tique publication on contemporary art

Something went wrong. There's an issue and the page could not be loaded. Reload page. 38K Followers, 638 Following, 425 Posts - See Instagram photos and videos from Katrien De Blauwer (@katriendeblauwer)


Katrien De Blauwer — I Close My Eyes, Then I Drift Away — Libraryman

Katrien De Blauwer's book 'I do not want to disappear silently into the night', published by Avarie in 2014, has been well received and is sold out. Recently the book Stills was published, a collaboration with artist Danny Clay. It consists of a book and a vinyl record. Katrien de Blauwer (b. 1969) was born in Ronse, Belgium, lives and.


Katrien De Blauwer Coeval Magazine

Whatever you do, don't tell Katrien de Blauwer that she makes collages: "Let's say I'm a photographer without a camera. For me, cutting is comparable to clicking on the shutter release". She snips, glues, assembles, infringes, colors and handles photographs from the old magazines she collects. Close to photomontage or film editing, her.


Katrien De Blauwer — When I Was a Boy — Libraryman

20 Dirty Scenes by Katrien de Blauwer In Dirty Scenes , pages are often overlaid with paint and crayon, disrupting the intimacy of the images. Although unspoken, the narrative seems to draw from the artist's own life - her body, femininity and sexuality, as well as alluding to absent male figure and various other unknown female characters.


Artist Katrien De Blauwer’s photomontages have us doing double takes

The idea for I Close My Eyes, Then I Drift Away by Katrien De Blauwer (b. 1969, Belgian) was founded as a commission for De Blauwer to anatomise archival works of François Halard (b. 1961, French) into a new and rare narrative. With a seductive and dreamlike state, bordering femininity and masculinity, she lets the observer immerse by the means of power structures and illusions, with nuances.


Why i hate cars Katrien De Blauwer Yogurt Magazine

Katrien De Blauwer's work seems to take the French writer at his word. While studying fashion at the Royal Academy of Fine Arts in Antwerp over the course of the 1990s, this Belgian artist made the collage technique her own. Patiently cutting and assembling images found in magazines from the 1920s to the 1960s, she recomposes scenes imbued.


Les photos qu'elle ne montre à personne Katrien De Blauwer delpire & co

Katrien De Blauwer is an artist from Belgium who works by collaging elements from old magazines, found photographs, objects, dried flowers, cloth and vintage paper into compelling visual metaphors. De Blauwer's work is infused with psychological overtones — like viewing two or three frames from a film noir movie, only reassembled into something even more mysterious.


28VignonStreet Katrien De Blauwer She won't open her eyes/ Fake

The collages of Katrien De Blauwer (°1969, Ronse, Belgium) flirt with fashion, dance, cinema, and photography. Some call her a "photographer without a camera". Others would define her work as "post-photography". Using magazine images from the 1920s until the 1960s, her work is all about recollection.

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