Carta bianca. Una nuova storia LOBODILATTICE
FLOW_ 2018_environmental installation Teatro della Triennale di Milano Materials: cosmic rays, green lasers, image from Hubble on screen, sound * Each atom.
Federica Di Carlo FROM THE CITY
Federica Di Carlo often collaborates with scientists and physicists of the various research centers around the world for the creation of her artworks. She is the winner of the Italian Ministry of.
Federica Di Carlo Riflessione diffusa
Federica Di Carlo (1984) was born in Rome, where she currently lives and works.She attends the Academy of Fine Art in Rome, Bologna and Barcelona and travels extensively to the major European capitals. In her poetic universe, the symbolic references relating to the sphere of everyday life or to the collective imaginary are suspended and redefined by light and through the stages of.
FEDERICA DI CARLO Artista visuale Autonomo LinkedIn
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Federica Di Carlo. We Lost the Sea Arshake
Page couldn't load • Instagram. Something went wrong. There's an issue and the page could not be loaded. Reload page. 1,401 Followers, 2,354 Following, 224 Posts - See Instagram photos and videos from Federica Di Carlo (@federicadicarlo_studio)
'Te veré arder' de Federica Di Carlo CAAM
FEDERICA DI CARLO. 398 likes. www.federicadicarlo.com
La Résidence SaintAnge Federica di Carlo
Federica Di Carlo, have studed to the Academy of Fine Arts in Rome, Bologna and Barcelona. Lives and works in Milan (1984). _____ Solo Exhibitions |selections . 2017|Waves, Fourteen ArTellaro, Liguria, Italy 2016|I See, ISee - Gallery online Asa Nisi Masa, Rome, Italy . 2015|Talk - I See I See, smART, Rome, Italy
Federica Fontana in carlopignatelli One Shoulder, Shoulder Dress
Environmental installation _ wind,cisterns,mylar kites,seawater,light, pier of 10 meters_ph@LorenzoBacci. WE LOST THE SEA is the representation of a loss. Its a work that talk about the Earth's breath, and the loss, the interruption of the same. The loss of an universal order that unites man and nature; that is increasingly compromised and.
Federica Di Carlo. We Lost the Sea Arshake
THE ARTIST - tiguarderòbruciare. ︎THE ARTIST. FEDERICA DI CARLO /. ︎ph_giulianodelgatto. ︎STATEMENT. In her practice, Federica Di Carlo collaborates with scientists and physicists from various research centres around the world (MIT/INAF/ ISAC-CNR) to realise her works.
Federica Di Carlo Now Be Here
FLOW_Tendo a Esistere 2023_environmental installation Solo Show_Villa Galileo, Florence photos credits: Jacopo Nocentini Materials: cosmic rays, green lasers,.
Federica Di Carlo a Palermo. We Lost The Sea art a part of cult(ure)
Federica Scotto di Carlo; Laura Pazzaglia; Teresa Esposito; Fernando Gianfrancesco; Journal of Bone and Mineral Research. Published on 01 Aug 2020. 0 views XX downloads; XX citations; ZNF687 Mutations in an Extended Cohort of Neoplastic Transformations in Paget's Disease of Bone: Implications for Clinical Pathology. Federica Scotto di Carlo.
WE LOST THE SEA — federica di carlo
Discover and purchase Federica Di Carlo's artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.
Federica Di Carlo intervista visiva 01
Federica Di Carlo (1984) Works between Milan and Rome Her works have been exhibited in national and international museums and collections. Art and science often meet within her research, where the observation of the balance of the world is the basis. The observation of the world's balance is the basis Federica Di Carlo's research. By investigating the limits but also the connections.
I SEE, I SEE — federica di carlo
Combining the blue of the atmosphere and the blue of the sea
104 Federica di Carlo
Federica Di Carlo often collaborates with scientists and physicists of the various research centers around the world for the creation of her artworks. She is the winner of the Italian Ministry of Culture's prestigious 18th month Italian Council Grant 10th Research Award, which allowed her to follow the ITER experiment in the field..
Federica Di Carlo at PostmastersROMA Arshake
Federica Di Carlo: I believe the search for the absolute has always been something that both scientists and artists pursue and, perhaps, the confusion is caused by these two distinct categories. Being overwhelmed by what we see around us is necessary and a way of expanding knowledge.