"The Greeting", rivisitazione di Bill Viola della "Visitazione di


[75] Bill Viola Oeuvres Principales By Affiche Gif

Inspiration for Bill Viola's The Greeting was taken from Jacopo da Pontormo's great Mannerist painting The Visitation (1528-29; Parish Church of Carmignano, Italy).


Le Opere di Bill Viola Mettono in Scena il Dramma nel Rinascimento

Bill Viola «The Greeting» «The Greeting» reaches back to take hold of artistic and historical origins. Serving in particular as the model for this piece is the painting of the same name by Italian mannerist Jacopo da Pontormo, dating from 1528-1529.


L’omaggio di Firenze a Bill Viola Artribune

Luke 1:39-45, The Visitation. Jacopo Pontormo: The Visitation and Bill Viola: The Greeting. On the left we see The Visitation (the meeting of Mary and Elizabeth) by the Renaissance painter Jacopo Pontormo.This work served as the starting point for the art video The Greeting (1995) by Bill Viola, of which we can see a still on the right (part of the video can be seen on YouTube).


LES MERVEILLES DE DANIELLE Bill Viola au Grand Palais...

Viola's The Greeting, a 1995 video work, explicitly recreates the architectural setting and three of the figures of Jacopo Pontormo's Visitation (1528 or 1529), a dramatic imagining of the passage from the Gospel of Luke (1:39-56) in which the Virgin Mary, newly pregnant, goes to visit Elizabeth, her elderly relative, who is six months into a miraculous pregnancy that will produce the boy.


Annunciation by mannerist painter, Pontormo at Chiesa Santa Felicita

Bill Viola ( US: / ˈvaɪoʊlə / VY-oh-lə, UK: / ˈviːoʊlə / VEE-oh-lə; born January 25, 1951) is an American contemporary video artist [1] whose artistic expression depends upon electronic, sound, and image technology in new media. [2] His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.


Bill Viola Nero video. La mortalità dell'immagine. Progetto Amnesia

In 1995, he created a video, The Greeting, with three women moving toward each other and ultimately embracing - all of this, in slow motion, with their brightly colored clothing flowing in the wind.I saw this video as part of a solo exhibition by Bill Viola at LACMA in 1998, but two years ago, Palazzo Strozzi in Florence had the privilege to exhibit Viola's video in the same room as.


Bill Viola Shows Among the Old Masters in Florence News

Bill Viola, Ascension, 2000. Video/sound installation. Photo by Kira Perov. Courtesy of the Barnes Foundation. The Barnes Foundation's current exhibition, I Do Not Know What It Is I Am Like: The Art of Bill Viola, surveys four decades of the artist's illustrious career. The bulk of the show is organized across four adjacent rooms.


Pontormo, Visitation and Bill Viola, The Greeting Black Mirror, Flat

Bill Viola American Video Artist Born: January 25, 1951 - Queens, NY Movements and Styles: Video Art , Installation Art , The Sublime in Art Bill Viola Summary Accomplishments Important Art Biography Influences and Connections Useful Resources Similar Art and Related Pages


Bill Viola. Rinascimento Elettronico Museology Reviews

A timeless instant that Pontormo captured like a snapshot and that also impressed a contemporary artist like Bill Viola. It was Bill Viola himself who, at the 1995 Venice Biennale, dedicated a work entitled 'The Greeting' to Pontormo's Visitation. A video filming a similar scene with an extremely slowed down tempo. The same work was shown.


bill viola stages an electronic renaissance at palazzo strozzi in florence

Pontormo (Jacopo Carucci; Pontorme, Empoli 1494-Firenze 1556) Visitazione, 1528 circa, olio su tavola, cm 202 x 156 Carmignano, Pieve di San Michele Arcangelo.. Pier Paolo Pasolini and also the artist Bill Viola. The work of Pontormo reinterpreted by Bill Viola, The Visitation of the Parish of Carmignano (1528-29) will be one of the most.


Bill Viola Il maestro della pittura in movimento

"Inspired by a painting of the Visitation (1528-29) by the Italian artist Pontormo, The Greeting is a video image sequence involving the interactions between three women that is projected onto a screen mounted to the wall of a dark room.


Bill Viola Nero video. La mortalità dell'immagine. Progetto Amnesia

Bill Viola created a secular but psychologically gripping translation of Pontormo's image, one in which the precise meaning of the event remains fluid, ambiguous, and open to interpretation. The Greeting begins with two women engaged in conversation at a street corner.


Ante vuestros ojos La fotografía mira a la pintura 2011 ( II )

In Pontormo's work, Saint Elizabeth appears twice to suggest to the viewer the idea that the meeting between the two cousins is an event that takes place over time; Bill Viola, overcoming the fixity of the painting, no longer needs such artifice.


La potenza metafisica dell’immagine nella video arte di Bill Viola La

Bill Viola's 'The Greeting' (1995), left, and Jacopo Pontormo's 'Visitation' (1528-9) Viola's version, in the meantime, elongates the moment that is portrayed across the room. In a.


Bill Viola [en diálogo]

Bill Viola The Greeting, 1995 Video and sound installation: Color video projection on large vertical screen. Viola uses much of Pontormo's setting, treatment of clothing, and placement of characters, and transforms it into a secular story. Watching the meeting of these women on the street in slow motion, we see the many


Qui est Bill Viola ? RMN Grand Palais jeune public, Qui est Bill

Bill Viola is an internationally recognized contemporary video artist. His work played a huge part in the establishment of video as an important medium in contemporary art.. Pontormo, and Paolo Uccello. Viola's works on YouTube are nothing compared to experiencing, or rather watching them "live" in the exhibition's scenography. So.

Scroll to Top