ZeissIkon Contessa 35 (1950) mike eckman dot com


Flickriver Photoset 'Zeiss Ikon Contessa LK' by Jim Grey

The CONTESSA, a product of ZEISS IKON AG. STUTT- GART US. Zone of Germany, is a 35mm camera for picture size I x 11/2 ins. The distance meter Of the CONTESSA, a rotating-wedge type -range finder which guarantees accurate focusing, is coupled to the lens. Furthermore, the CONTESSA is equipped with a highly


Zeiss Ikon Contessa 1950 Vintage cameras, Old cameras, Retro camera

Zeiss Ikon is a German company that was formed in 1926 by the merger of four camera makers (Contessa-Nettel, Ernemann, Goerz and Ica), and an infusion of capital by Zeiss.The company formed one part of the Carl Zeiss Foundation, another part being the optical company Carl Zeiss.Logically, most of the Zeiss Ikon cameras were equipped with Carl Zeiss lenses; and the formerly independent.


Zeiss Ikon Contessa 35 Stuttgart 1953 DSC_2516_ji.pai Foto & Bild motive, zeiss ikon, tessar

The Zeiss Ikon Contessa series started in 1950 and got various upgrades and re-modelings up to 1971. The early models were folding type, others made after 1960 were compact type. Zeiss cameras were very well made - even the cheaper versions, like the Contessa LBE. There are several variants of the models.


Zeiss Ikon Contessa LK 35mm full frame film camera (19621965) Fotografia camara, Camara de

Contessa was the name given to a family of cameras produced by Zeiss Ikon in Stuttgart between 1950-1955 and 1960-1971. These were mid to high-end rangefinder / viewfinder cameras. These camera was designed by Hubert Nerwin , as part of the effort to rebuild the Zeiss Ikon name after WWII.


Zeiss Ikon Contessa LK RAY SKINNER PHOTOGRAPHY

The Zeiss Ikon's shutter speed dial rotates 360,º just like the Leica M7. The Zeiss Ikon's lens release button is superior to the Leica M7. I can use the Zeiss Ikon's lens release button, while the Leica M7's button is hidden behind a guard. The frame counter is big and easy to read in soft light, but hard to read in hard light.


ZeissIkon Contessa 35 (1950) mike eckman dot com

Zeiss Ikon is a German company that was formed in 1926 by the merger of four camera makers (Contessa-Nettel, Ernemann, Goerz and Ica), and an infusion of capital by Zeiss The company formed one part of the Carl Zeiss Foundation, another part being the optical company Carl Zeiss. Logically, most of the Zeiss Ikon cameras were equipped with Carl Zeiss lenses and the formerly independent.


Zeiss Ikon Contessa IKE Viewfinder CameraCarl Zeiss Tessar 2.8/50 50 mm 50mm eBay

Zeiss Ikon Contina II (524/24) - Camera Review. Another nice review. I picked up the later cousin of this camera, the Contessa 35, at an estate sale for $50. The Contessa 35 is also a drawbridge folder. The film compartment and bottom are nearly identical to the continuation. But it has an opton coated research lens.


Vintage Zeiss Ikon Contessa Matic Camera with Case and Manual

I photographed this around '74 on my Zeiss Ikon Contessa rangefinder on Kodachrome slide film. It sure looks a lot different down there now. Its starting to look like Blade Runner. The smoking sign in Times Square blew about 1,000 rings a day; a steam-producing box, located behind the head of the man in the sign, created the rings.


ZeissIkon Contessa 35 (1950) mike eckman dot com

ZEISS IKON Contessa LKE 35 MM Film SLR Camera Tessar 2.8/50 Lens w Case Untested. Opens in a new window or tab. Pre-Owned. $49.99. Top Rated Plus. Sellers with highest buyer ratings; Returns, money back; Ships in a business day with tracking; Learn More Top Rated Plus. or Best Offer. kob3 (5,094) 99.5%


Second Look ZeissIkon Contessa 35 mike eckman dot com

In 1926, when Contessa-Nettel was merged to form Zeiss-Ikon, all of it's trademarks became part of Zeiss-Ikon, and production of the Contax continued for a few more years, when it was eventually replaced by traditional electric turn signals. Versions of the Contax exist with and without Zeiss-Ikon markings.


Zeiss Ikon Contessa 35 (533/24), 1950 Catawiki

Zeiss Ikon Contessa 35 is a 35mm film folding/rangefinder camera, manufactured by Zeiss Ikon AG., Stuttgart, former West Germany, and produced between 1950-55. Zeiss catalog no. is 533/24. Contessa 35 series was a high end 35mm folding cameras. Although dating from the early 1950s, it has all the classic looks of the 1930s and even in its day.


Photo Foto Zeiss Ikon Contessa LKE (Typ A)

The Contessa 35 was the 3rd camera designed by Hubert Nerwin, as part of the effort to rebuild the Zeiss Ikon name after WWII. The Contessa was produced between 1950-1955 and it was a high end 35mm folding rangefinder camera with catalog number 533/24, with the Ikonta 35 and Contina as lower end cameras. All these models followed Nerwins.


John Margetts' old camera blog. Zeiss Ikon Contessa LKE

Zeiss Ikon's Contessa line is a long-running camera model that dates to a folding rangefinder in 1950. While the manufacture of the original Contessa line ended in 1955, Zeiss Ikon refreshed the line with three variants in 1960. These rigid body rangefinders where called Contessa, Contessamat, and Contessamatic..


ZeissIkon Contessa 35 (1950) mike eckman dot com

In many ways, the Contessa represents the pinnacle of Zeiss Ikon post-war design for folding 35mm cameras. Simply put, these are exquisitely overengineered cameras. From the moment you pick them up, they scream quality from every angle. This 35mm rangefinder is equipped with an excellent 45mm f/2.8 Tessar lens set in a Compur shutter.


Zeiss Ikon Contessa IKE Viewfinder CameraCarl Zeiss Tessar 2.8/50 50 mm 50mm eBay

The Zeiss-Ikon Contessa 35 was designed as a premiere compact 35mm camera to compete with other highly regarded German made compact 35mm folding cameras like the Kodak Retina and Voigtlander Vitessa. These were all precision made, fully mechanical cameras that were thought to offer the best of what Germany had to offer in the fixed lens folding.


Zeiss Ikon Contessa LBE + Tessar 2.8/50 mm 1965/1967 Catawiki

This is what the Contessa 35's viewfinder is SUPPOSED to look like. The viewfinder was bright and easy to use with a crisp and contrasty rangefinder patch, and had the piece needed to make a proper rectangle image. The lens was crystal clear, the shutter worked at all speeds, and all of the camera's various controls, from the film advance.

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