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The Fairy-Queen (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". [1] The libretto is an anonymous adaptation of William Shakespeare 's comedy A Midsummer Night's Dream. [2] First performed in 1692, The Fairy-Queen was composed three years before Purcell's death at the age of 35.
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The Faerie Queene, one of the great long poems in the English language, written in the 16th century by Edmund Spenser.
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Composer James Redwood and writer Hazel Gould transform Henry Purcell's Shakespeare-inspired 1692 opera into a magical new adventure for the whole family. This reimagining of Purcell's The Fairy Queen is about wishes that come true, and what happens when they do, as we learn about friendship, love and telling the truth.
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Queen Mab is a fairy referred to in William Shakespeare 's play Romeo and Juliet, where "she is the fairies' midwife". Later, she appears in other poetry and literature, and in various guises in drama and cinema.
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In folklore and literature, the Fairy Queen or Queen of the Fairies is a female ruler of the fairies, sometimes but not always paired with a king. Depending on the work, she may be named or unnamed; Titania and Mab are two frequently used names. Numerous characters, goddesses or folkloric spirits worldwide have been labeled as Fairy Queens.
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In Australia, though, the crown princess - despite renouncing her citizenship long ago - is already being celebrated as a national "ambassador". "I look forward to watching the next generation [of.
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The poem's setting is a mythical "Faerie land," ruled by the Faerie Queene. Spenser sets forth in the letter that this "Queene" represents his own monarch, Queen Elizabeth. Spenser intended to write 12 books of the Faerie Queene, all in the classical epic style; Spenser notes that his structure follows those of Homer and Virgil.
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The Faerie Queene is an English epic poem by Edmund Spenser. Books I-III were first published in 1590, then republished in 1596 together with books IV-VI.
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Gloriana (The Faerie Queene) Although she never appears in the story, the Fairie Queene, whose name is Gloriana, gives the poem its title and motivates much of its action—characters like the Redcross Knight, Sir Guyon, and Calidore. read analysis of Gloriana (The Faerie Queene)
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The Faerie Queene is dedicated to Queen Elizabeth, and her reign is one of the most important historic events that provide context for the poem. For about a thousand years prior to the reign of Henry VIII, England had been a predominantly Catholic nation, but Henry VIII's disagreements with Pope Clement VII about the issue of divorce ultimately prompted England's transition toward Anglican.
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Great Lady of the greatest Isle, whose light Like Phoebus lampe throughout the world doth shine, Shed thy faire beames into my feeble eyne, And raise my thoughts too humble and too vile, To thinke of that true glorious type of thine, The argument of mine afflicted stile: The which to heare, vouchsafe, O dearest dred a-while.
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Morgan le Fay, also known as Morgana, Morgaine, Morgana la Fey, and other variants, is a significant character in the Arthurian legends. Her character varies widely in different stories, but she is generally portrayed as a powerful enchantress, often with both healing and destructive capabilities.
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In William Shakespeare's Romeo and Juliet, she is referred to as the fairies' midwife, who delivers sleeping men of their innermost wishes in the form of dreams. In Michael Drayton's mock-epic fairy poem Nymphidia (1627), she is the wife of the fairy king Oberon and is the queen of the diminutive fairies.
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Titania ( / tɪˈtɑːniə /) [1] is a character in William Shakespeare 's 1595-1596 play A Midsummer Night's Dream . In the play, she is the Queen of the fairies and wife of the Fairy King, Oberon. The pair are depicted as powerful natural spirits who together guarantee the fertility or health of the human and natural worlds.
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The title character, the Fairy Queen (Gloriana) herself, is meant to represent Queen Elizabeth.. 'The Faerie Queen' primarily embodies the religio-political tension prevailing in the two schools of Chi thought in the age of Spenser. For a Christian to be ho must have true faith. So holiness must be founded in truth in order to remain.